Artists and artisans have a crucial role in the sustainability of the creative economy. By utilizing a participatory action research approach seeded by the work of J. K. Gibson-Graham, Jenny Cameron, and Julie Graham's study of community economies in the Pioneer Valley, The Rethinking the Creative Economy Project demonstrates how a collaborative research methodology can reappropriate development from the exploitation of artists and artisans as a panacea for economically challenged communities and as a tool that can help perform a postcapitalist environment.
In 1980, R. W. Butler published his tourism area cycle of evolution model graphing a correlation of number of tourists on the y-axis and time on the x-axis. Although a location’s capacity for number of tourists and the specific number of sustainable years may vary from location to location, Butler proposed that every tourist location evolves through a common set of stages: exploration, involvement, development, consolidation, stagnation, and then some variation of rejuvenation or decline.
In this paper we describe the work of a nascent research community of economic geographers who are making the choice to bring marginalized, hidden and alternative economic activities to light in order to make them more real and more credible as objects of policy and activism. The diverse economies research program is, we argue, a performative ontological project that builds upon and draws forth a different kind of academic practice and subjectivity.