This dissertation explores the contours of artistic economic activity through participatory action research conducted with artists and artisans in the Greater Franklin County, Massachusetts. The creative economy has drawn significant attention over the past ten years as a principle economic sector that can stimulate the redevelopment of post-industrial cities. However, dominant creativity–based development strategies tend to cater to the tastes of an economically privileged, and implicitly white, “creative class,’ leading to gentrification and social exclusion based on race, ethnicity, class, and gender.
Theses and Dissertations
Social enterprise (or business driven by social objectives) is a prominent focus of development. In higher income countries it is a strategy for regional development or regeneration by creating optimal levels of social value from under-utilised resources. In developing countries, social enterprise offers hope for sustainable development by reducing dependency on aid and by developing markets and improving economic growth. Social enterprise is widely linked to ‘business at the bottom of the pyramid’, there is particular attention to heroic 'social entrepreneurs'. But critical literature shows a tension between the top-down ‘development’ driven view of social enterprise and a bottom-upwards grassroots community development approach driven by wellbeing.
Public sector interest in social innovation is rapidly growing around the world. However, only recently has substantial empirical research emerged to support practice. Through combining Community Economies research methods with emerging new public governance literature, this thesis makes a unique contribution to the field. A language politics is developed, based on two experimental conceptual frameworks. Using these, social innovation assemblages are explored, with a particular focus on social procurement relationships. Openings for performing new kinds of economy are established, offering a counter to ‘fast policy’ approaches and contributing to decentring prevailing discourses of intractable ‘wicked problems’.
Introduction to a PhD thesis project about collective ethical economic action for a climate and resource changing world. It includes diverse economy food stories from the Philippines and from my home in the NSW Southern Tablelands of Australia, as well as a thesis outline.
'Growing Community Food Economies in the Philippines' is a PhD thesis about collective ethical economic action. It draws on empirical cases of regional food projects in Manila and Mindanao and examines possible post-capitalist economic growth trajectories in the Philippines context. This project also examines collective methods. Drawing on actor network theory and hybrid collective thinking it empirically demonstrates 'hybrid collective world making', foregrounding the role various human and nonhuman actors (e.g. typhoons, river systems and digital media) play in shaping food and economic futures.
Excerpt 1 is a thesis chapter about community economies thinking and practice and growing community food economies in the Philippines through hybrid collective methods.
This practice-based doctorate sets out to investigate and intervene in the tense relation between the production of socially as well as politically relevant design work and the socio-economic precariousness many designers experience. Starting from an engagement with the precarious working conditions of designers, their genealogy over the last 30+ years and the role precarisation plays in forming docile creative subjects, the research moves on to a wider critique of the political economy and of its precarising value practices. Based on this analysis, it then considers the strategic use that can be made of concepts around the commons in order to undo procedures of precarisation.
This practice-based research sets out to investigate and intervene in the tense relation between the production of socially as well as politically relevant design work and the socio-economic precariousness many designers experience. Starting from an engagement with the precarious working conditions of designers, their genealogy over the last 30+ years and the role precarisation plays in forming docile creative subjects, the research moves on to a wider critique of the political economy and of its precarising value practices. Based on this analysis, it then considers the strategic use that can be made of concepts around the commons in order to undo procedures of precarisation.
[EN: Value with No Price? A Study on the Motives and Ethics of Unpaid Translation], Master’s thesis, Master’s Programme in Multilingual Communication and Translation Studies, School of Language, Translation and Literary Studies, University of Tampere, Finland.
This thesis involves three interrelated projects: first, a critique of conventional regional development literature; second, an exploration of the "performativity" of (economic) discourse at both conceptual and material levels; and third, a survey of alternative economic ontologies that might help us to imagine more diverse, ecological, equitable and democratic livelihoods.
[EN: Conscious of Noir: A Study on the Generic Identity of the Comic Book Series Blacksad], Bachelor’s thesis, French Language, School of Languages and Translation Studies, University of Tampere, 2009. (NOTE: The thesis can be accessed by contacting the author.)
This thesis empirically grounds the diverse economies framework and is an early contribution to post-capitalist thought. Specifically the thesis maps the diverse economic practices of various subjects in the Wingecarribee Shire, a local government area on the rural urban fringe of Sydney, Australia. It challenges a capitalocentric view of the economy instead presenting a diverse regional economic landscape with implications for local government planning.